Our Creative Boss Gozi Ochonogor started U.Mi-1 while she was living in Japan. african attire uk expected to make clothing that is regarded for its arrangement, craftsmanship and comfort and support the wearer in the data that they own something of critical worth. However, since of her experience of Japanese culture, she in like manner required a brand that showed that social orders shared a greater number of comparable qualities than contrasts. In Japan, she saw there were various resemblances between Japanese people and Nigerians which amazed her. For example, their overall population was moreover man driven, their lingos is obvious. She heard people in Japan called Fumi and Chika which are Nigerian names. Their lifestyle of never cleaning their muddled fabrics out in the open, the method of hi all assisted her with recollecting home in Nigeria.. Along these lines, talk transformed into the basis of U.Mi-1.

Trade

In our underlying groupings, Gozi collaborated with african prints and associations to develop this creative exchange. The combinations' subjects focused on this new character - an African in Japan.

This Afro Japanese mix was clear in our most vital ankara clothing uk. They were applied, enthusiastic and about Gozi's friendship for Japan - people, plan, etc. She also planned craftsmanship studios in Nigerian and Japanese asylums inviting experts to develop this social exchange with kids.

Through her experiences with various outcasts in Tokyo, Gozi began to see ankara dress differently. She saw how U.Mi-1could connection point people to the heart beat of Africa, yet through their own point of convergence, as an element of something they truly valued and had a spot with. Our combination Repartiation transformed into her arrangement. She began to investigate various roads in regards to and join Nigerian social style with European arrangement parts, explicitly cubism.

Gozi destroyed standard Nigerian styles, and repeated current trendy african clothes store. Buying U.Mi-1 technique having something quality and a piece of certifiable Nigerian culture and heritage.

London

Gozi moved back to the UK after the 2008 overall financial mishap and reestablished the studio in London. We started doing pop-ups in african dress which at first was strong by the mishap. No one had some significant awareness of pop-ups then, at that point. Our first was at the as of late opened Radisson Blu Housing Lagos. London changed the spirit of our varieties. It took on a more Savile Segment look and accept and was more refined than our Tokyo years.

Each season was a disclosure and added a layer of progress. We started describing Nigerian factions. From Locus roused by the Ibos, african print dresses about Hausa win to Who Am I? invigorated by Yoruba tribal engravings, we relate Nigeria's families, that would convey its greatness and assortment closer to our clients.

Assortment

The combinations coordinated all the substance of the three countries african dresses. It had all of the parts of the general large number of three social orders - English fitting, Japanese craftsmanship and balance with an encapsulation of Nigerian families. We were proposing to corporate store in Japan and thought stores in Nigeria and London.